Frank Mahony
(4 December 1862 - 28 June 1916) was an Australian artist and member of the Dawn and Dusk Club.
Although christened "Francis Mahony", he later added 'Prout' and usually signed his work 'Frank P. Mahony'.
Mahony was born in Melbourne, third surviving child of Timothy Mahony, an Irish-born contractor, and his Cornish second wife Elizabeth, Johns. Mahony was taken to Sydney when 10 years old and studied at the Academy of Art under Giulio Anivitti.Mahony's work was accepted by The Bulletin and he became known for his excellent drawings of horses. In 1889 his oil painting Rounding up a Straggler, was bought for the Art Gallery of New South Wales; in 1896 The Cry of the Mothers was also purchased.Mahony did a lot of illustrative work for the Picturesque Atlas of Australia, Victoria and its Metropolis, the Antipodean and other magazines of the period, and was also responsible for some of the illustrations to Barcroft Boake's Where the Dead Men Lie. Related Paintings of Frank Mahony :. | Adoration of the Magi | Sheep 176 | Egeria beweint Numa | La cathedrale de Mantes (mk11) | Design for the Great triuphal Chariot of Emperor Maximilian i | Related Artists: ELINGA, Pieter JanssensDutch Baroque Era Painter, 1623-ca.1682 Jacopino del ConteItalian Painter, ca.1510-1598
was an eminent Italian Mannerist painter, active in both Rome and Florence. A native of Florence, Jacopino del Conte was born the same year as another Florentine master Cecchino del Salviati (whom Conte outlived by 35 years) and, like Salviati and a number of other painters, he initially apprenticed with the influential painter and draftsman Andrea del Sarto. Conte's first frescoes, including Annunciation to Zachariah (1536), Preaching of Saint John the Baptist (1538), and Baptism of Christ (1541) were in the Florentine-supported Oratory of San Giovanni Decollato, located in Rome. The Preaching fresco was based on a drawing by Perin del Vaga. In 1547?C48, in collaboration with Siciolante da Sermoneta, Conte completed the fresco decoration of the chapel of San Remigio in San Luigi dei Francesi. In 1552, he painted another work for the San Giovanni Decollato Oratory, the altarpiece Deposition, whose designs are sometimes attributed to Daniele da Volterra. Ernest Arthur Rowed.1922
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